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Sampling keyboards

One of the greatest weirdnesses of electronic music is the sampling keyboard. You press a key and any sound recording you want pops out, at whatever pitch. The recent passing of John Hughes made me...

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Good old Grateful Dead

See also a post about the Dead and electronic music. Whenever I play guitar, it comes out sounding a lot like Jerry Garcia. I can’t help it. From the ages of fifteen to twenty, my guitar-learning...

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The case for sampling

My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument...

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The Grateful Dead and electronica

In keeping with my posts thinking of the Beatles and Jimi Hendrix as electronic musicians, I thought I’d round out the techno-hippie trifecta with the Dead. Their fans might lean to the crunchy granola...

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Harmonica guide

I have a new harmonica student starting today, so while I gather materials for him, I figured I’d put them in a blog post too. I started learning harmonica in high school. It was the first instrument I...

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Samples and community

The defining musical experience of my lifetime is hearing familiar samples in unfamiliar contexts. For me, the experience is usually a thrill. For a lot of people, the experience makes them angry....

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Participatory music vs presentational music

In this post, I’ll be doing some public-facing note-taking on Music As Social Life: The Politics Of Participation by Thomas Turino. I’m especially interested in chapter two: Participatory and...

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Making better citizens through dance

Public-facing note-taking for Philosophy of Music Education with David Elliott This week, I’m taking a look at two chapters from a new book on the red-hot topic of artistic citizenship, the social...

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Real vs hyperreal vs surreal

You can put all recorded music techniques and gestures into three categories: realist, hyperrealist, and surrealist. These categories have soft boundaries that broadly overlap. Nevertheless, I find...

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Key centers in the Grateful Dead’s China>Rider

My emotions about the Grateful Dead have gone from intense obsession as a teenager, to embarrassment about my former intense obsession in my 20s, to nostalgic re-embracing of my fandom in my 30s. In...

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Help on the Way -> Slipknot! -> Franklin’s Tower

In this post, I talk through my favorite Grateful Dead prog epic, the three-song suite of “Help on the Way,” “Slipknot!” and “Franklin’s Tower.” The Dead wrote many of these epic suites, usually a few...

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My favorite Jerry Garcia riff

Before he wrecked his brain with heroin in the 1980s, Jerry Garcia was my favorite guitarist in the world. I was so saturated in his music during my key guitar-learning years that now everything I play...

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Remixing the Grateful Dead

There is no corpus of music I know better than the albums and concert recordings of the Grateful Dead. Some people memorize the works of Shakespeare; I, for better or for worse, spent my youth...

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John Oswald said he likes my Stevie Wonder/Laurie Anderson mashup

I got an unexpected email today from the legendary composer/remixer John Oswald, whose Plunderphonics project was a major inspiration for me. (For example, check out “Dab,” “Power,” and the terrifying...

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Swing primer

“It don’t mean a thing if it ain’t got that swing, doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah” – Duke Ellington Aside from the blues, swing is the United States’ most significant...

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Brokedown Palace

My stepfather died a year and a half ago, but thanks to the pandemic, we’re only now able to have a memorial service for him. My sister, stepsiblings and I are going to sing a Grateful Dead classic:...

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Lightnin’ Hopkins –“My California”

I’m spending this month in California with my in-laws, and so naturally I went searching my iTunes for thematically appropriate songs. One of the results was this exquisite Lightnin’ Hopkins recording....

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Spoonful

One of the most intense and arresting recordings I have ever heard is Howlin’ Wolf’s recording of “Spoonful” by Willie Dixon. This is on my list of classic songs with no chord changes, along with...

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Defining key centers with rhythm

Let’s say you have two chords, G7 and C. According to Western classical theory, these two chords establish that you are in the key of C. The G7 is tense and unresolved, and it makes you yearn for the...

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Smokestack Lightning

The twelve-bar blues is not the only blues form. There is also a whole world of one-chord blues grooves over drones, pedal tones and static riffs. Howlin’ Wolf has several classic songs that follow...

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